“‘What a gorgeous voice—like a Rolls Royce. She must sing in the best theaters in the world!’, said the late Dmitri Hvorostovsky about Veronika Dzhioevo. And it is a fine voice. Moreover it is used with dramatic imagination… She has a voice that is even from top to bottom and has its own distinct color. Her opening selection, Lady Macbeth’s ‘Vieni, t’afretta’, is preceded by a melodramatic, entirely apt reading of the letter her husband has just sent. The soprano rips into Verdi’s jagged vocal lines with flare and spirit and retains that through the entire aria. The coloratura is fluent and used expressively. The two arias from Aida are also done with style and commitment. … I would love to hear her in a complete performance of one of these roles. Constantine Orbelian offers solid support.”
—David Reynolds, American Record Guide