Rafael de Acha reviews the new Lawrence Brownlee, Sarah Coburn, Constantine Orbelian, and Kaunas City Symphony recording of Bellini’s I Puritani: “Not since the 1953 studio recordings of Bellini’s Bel Canto tour de force with deluxe casts: the vintage Cetra with Callas, Di Stefano, Panerai, and Rossi-Lemeni, and the various 1960’s releases with Dame Joan Sutherland leading…
Lawrence Brownlee, Sarah Coburn, Constantine Orbelian, and the Kaunas City Symphony and Kaunas State Choir’s new complete opera recording of I Puritani gets its first review from the Art Music Lounge: “this performance of Bellini’s old warhorse bids fair to overtake all previous commercial recordings of it, In part this is due to the perfectly-balanced…
Gramophone Magazine critic Laurence Vittes reviews Oksana Volkova, Constantine Orbelian, and the Kaunas City Symphony’s Poison d’Amour recording in the August issue’s Sounds of America section: “Mezzo-soprano Oksana Volkova’s recital of a dozen famous dramatic arias and one bloody obscurity gives full range to the Belarusian’s powerful voice and sultry temperament. … With a superb…
American Record Guide reviews Oksana Volkova, Constantine Orbelian, and the Kaunas City Symphony’s Poison d’Amour recording: “Oksana Volkova has a gorgeous, seductive voice that could be likened to warm butter dripping off a fresh, hot biscuit. From top to bottom there are no holes in her beautiful mezzo-soprano. …Her choice of repertoire is intelligent. She seduces…
Oksana Volkova, Constantine Orbelian, and the Kaunas City Symphony’s Poison d’Amour release is Opera Magazine’s July 2021 Disc of the Month! “‘Poison d’amour’ is that rarity, a recital disc where interest is nicely balanced between the singer and the song. The Belarusian mezzo-soprano Oksana Volkova has a well- nourished voice that has already taken her…
Liana Malandrenioti, music critic for the Athens newspaper Epoch, has filed this appreciation of the work of Delos recording artist Smaro Gregoriadou, including a review of her recent release A Healing Fire. The presence of Smaro Gregoriadou in the contemporary classical music scene is in many ways precious; she appears as guitar soloist, composer, researcher,…
Oksana Volkova, Constantine Orbelian, and the Kaunas City Symphony’s Poison D’Amour album has MusicWeb International critic, Michael Cookson, crossing his fingers for more! “One immediately notices Volkova’s dark-tinged and agreeably burnished tone. Her chosen roles seem appropriately tailored to her tessitura, so there is little in the way of strain. The word ‘allure’ is often…
The following review for the Latvian Radio Choir’s Komitas Divine Liturgy recording was sent from Quentin Skinner, a distinguished professor of Queen Mary University of London, and is shared with permission: “I had previously known nothing about Komitas Vardapet. He is certainly a great composer. But one with a tragic life. It is terrible to…
In a wide-ranging review, Constantine P. Carambelas-Sgourdas offers high praise for guitar virtuoso Smaro Gregoriadou’s fourth Delos album, A Healing Fire, featuring works by Bach, Britten, Gubaidulina and Hetu. “The distinguished guitarist Smaro Gregoriadou is a special case among classical guitarists, in that she never stops exploring new sonic and technical possibilities of her instrument…
Robert Hugill reviews Smaro Gregoriadou’s A Healing Fire recording on Planet Hugill: “Her account of the [J.S. Bach Sonata‘s] opening ‘Grave’ is strong and firm, whilst the ‘Fuga’ is crisp, firm and quite steady with Gregoriadou making explicit what often has to be left implicit in Bach’s original. The ‘Andante’ is firmly rhythmic with a…
Oksana Volkova, Constantine Orbelian, and the Kaunas City Symphony’s upcoming Poison D’Amour recording gets a Music Notes review: “The Delos CD opens with O ma lyre immortelle from Gounod’s rarely done Sapho. In this aria and in two selections from Samson et Dalila: Printemps qui commence and Mon cœur s’ouvre à ta voix the Belarusian singer displays a luscious sound that she…
Fanfare Magazine’s Celeste Stokely gives a five-star review to Robert Taylor and the Taylor Festival Choir’s So Hallow’d the Time recording: “…exquisite beauty. Galante proves… that his music is worth seeking out and savoring by music lovers, and I am glad to make its acquaintance in this work. … Robert Taylor and his Taylor Festival…
Fanfare Magazine’s March/April 2021 issue features an incredible review for Andrew Balio and Bruce Bengtson’s Soli Deo Gloria – Bach recording: “My praise here is unabashedly stratospheric: This is, hands down, the most magnificent, eloquent, communicative trumpet playing I have ever heard in my life, and I have a whole shelf full of trumpet CDs…
All Music Guide critic James Manheim gives a ⭐️⭐️⭐️⭐️ rating to the Latvian Radio Choir and Sigvards Klava’s recording of the Komitas Divine Liturgy: “This version by the Latvian Radio Choir under Sigvards Klava is the first non-Armenian recording of the work (the lead soloists are Armenian). It came about at the behest of Armenia’s ambassador to Latvia, who…
Critic Michael Cookson reviews Ekaterina Siurina, Constantine Orbelian, and the Kaunas City Symphony’s recording, Amour éternel, in MusicWeb International: “From start to finish in this studio recital, Siurina impresses with an accomplished performance, by turns assertive, vulnerable, passionate, sensitive, and tormented. … In a most convincing performance, Siurina demonstrates her smooth, attractive tone and satisfying levels…
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