Jonah Kim’s new Approaching Autumn release with pianist Robert Koenig and featuring a world premiere from Mark Abel landed a wonderful feature in The Whole Note‘s December 2021 Editor’s Corner: “Kim’s…performance is outstanding – big, brash and gritty as called for in the outer movements; sensitive and lyrical in the Adagio (con gran espressione) – and his…
The UK’s Opera Magazine’s February 2022 issue features a new review for Lawrence Brownlee, Sarah Coburn, and Constantine Orbelian’s I Puritani recording: “Coburn…combines technical accomplishment with sensitive bel canto singing… accurate and affecting. Lawrence Brownlee’s free emission and tonal vitality are prime assets among his credentials for an eager, dynamic Arturo also notable for keen…
Phil Muse offers a rave review of Paulina Zamora’s new recordings of J.S. Bach Inventions, Sinfonias, and Chromatic Fantasy & Fugue on Zamora Plays Bach in the February issue of the Atlanta Audio Club magazine: “You can play “drop the needle” (or its digital-era equivalent) on any track in this program with the confidence of…
The January 2022 issue of The Strad features a review of Jonah Kim and Robert Koenig’s “triumphant performance” on Approaching Autumn! “A clear, blooming sound graces the opening of the Kodály Solo Sonata, with a defined rhythmic definition charging the invention. There’s no doubt that this monumental work is the standout performance here, as Jonah…
“This Delos release of Bellini’s Puritani is another example of the excellent work of Kaunas City Symphony of Lithuania under the direction of its principal conductor Constantine Orbelian. He elicits a clean, warm sound from the orchestra, with especially fine playing in the horn and woodwind sections. Tempos are well chosen and the dramatic pacing leads…
The December 2021 issue of Gramophone reviews Jonah Kim and Robert Koenig’s Approaching Autumn recording: “Jonah Kim has taken Approaching Autumn, the title of Mark Abel’s new work for cello and piano, as the title of this recital album as a whole. I hadn’t necessarily thought of the Grieg and Kodály sonatas as being especially autumnal…
Lawrence Brownlee, Sarah Coburn, Constantine Orbelian, and the Kaunas State Symphony’s I Puritani gets a 4.5-star rating and Recording of the Month distinction in Limelight Magazine! “This latest offering, featuring Bellini’s mellifluous swansong I Puritani, may just be their finest to date, conducted as usual by Constantine Orbelian, with Brownlee joined by the excellent American coloratura…
The November 2021 issue of Opera News names Lawrence Brownlee, Sarah Coburn, and Constantine Orbelian’s I Puritani as a Critic’s Choice! “This new Puritani is made memorable by its leading man, Lawrence Brownlee, whose singing sets a new standard. The glorious, consistently golden-toned ease of the American tenor’s vocalism is already obvious in his first…
A second Fanfare critic has added our new recording of Bellini’s I Puritani to their “Not to be missed” list: “From Delos comes an impressive new studio release of Bellini’s final opera, I puritani, recorded at the Kaunas Philharmonic. …Lawrence Brownlee is one of the finest bel canto tenors of his generation. And, among tenors who have participated…
AllMusic reviews Lawrence Brownlee, Sarah Coburn, and Constantine Orbelian‘s recording of Bellini’s I Puritani: “it’s a fine reading of the opera with many attractions bel canto buffs should check out. One for American listeners is that it offers a preview of conductor Constantine Orbelian, who, despite his U.S. birth, has worked mostly in the former Soviet…
Lawrence Brownlee, Sarah Coburn, and Constantine Orbelian’s Bellini: I Puritani recording gets a 4 and 5 star review in the new issue of BBC Music Magazine! “The young American tenor Lawrence Brownlee is an impressive Arturo, light of tone and with an easy ascent into the upper register. The pace of his ‘A te o…
Fanfare Magazine critic Henry Fogel offers an absolute RAVE review for Sarah Coburn, Lawrence Brownlee, and Constantine Orbelian’s new recording of Bellini’s I Puritani: “This release is something we don’t see too often any more: a studio recording of a complete opera… This set takes its place comfortably alongside the finest available recordings of Bellini’s…
Göran Forsling offers a fourth MusicWeb International review of Oksana Volkova’s Poison d’Amour release with Constantine Orbelian and the Kaunas City Symphony: “It was also as Maddalena I first met her in the Delos recording of Rigoletto with Dmitri Hvorostovsky in the title role… Maddalena is hardly a role that catapults a singer to stardom, but even…
The International Clarinet Association’s May 2021 Reviews feature a review of Les Temps Modernes’ December Chrysanthemum: Chamber Music of Xiaogang Ye: “The 2020 album December Chrysanthemum is a fusion of independently developed and long-lived styles, melded together in new and interesting ways by composer Xiaogang Ye. Xiaogang does a masterful job blending the two distant and distinct…
The International Clarinet Association’s May 2021 Reviews feature a wonderful breakdown of Mark Abel’s The Cave of Wondrous Voice featuring David Shifrin, Fred Sherry, Hila Plitmann, Sabrina-Vivian Höpcker, Dominic Cheli, Carol Rosenberger, and Sarah Beck: “The first work on the album, Intuition’s Dance, is performed by clarinetist, David Shifrin and pianist, Carol Rosenberger. This spirited piece…
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