Gramophone Magazine highlights the Dan Visconti title-work on Gabriela Martinez’s new Amplified Soul recording in their January Issue:
“Dan Visconti’s title-track begins tentatively and sparingly, slowly building up into Sondheim-esque patterns that traverse the entire keyboard and explode, like a kitten working its way out of a bag and emerging like a tiger, only to retreat back to square one at the end. …Martinez…throws caution to the wind and plays like it really matters. This selection alone explains what the fuss over Martinez is about.” —Jed Distler
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