FJO (New Music Box): So when you read, does it inspires you to write music?
PM: Sometimes it does, as in the case with Shakespeare. I wrote a piece called Tempest Fantasy which is inspired very directly by my favorite play, which is Shakespeare’s The Tempest. I saw a production in the late ‘90s at the Public Theater with Patrick Stewart, which was fantastic, and that very definitely inspired me to write that piece, which won the Pulitzer Prize in 2004. That piece has been very good to me. Shakespeare has been my silent partner, so to speak, on a number of projects.
FJO: Including a pretty recent choral piece that just came out on CD.
PM: Right. A piece called Amorisms, which was a ballet commission. And what I did was take single quotations about love from Shakespeare’s plays and set them each in a separate movement. There are five movements. One of the things I discovered about ballet is that if you have too much text going on in the composition, and if it’s an intricate or complicated text, it actually interferes with the ballet. The audience will be thinking, “Wait a minute. What’s that interesting line?” They’re following the text. So I decided to keep the texts to a single line repeated over and over again. Once they got the idea, they could concentrate on the dancers.