Oksana Volkova, Constantine Orbelian, and the Kaunas City Symphony’s Poison d’Amour release is Opera Magazine’s July 2021 Disc of the Month! “‘Poison d’amour’ is that rarity, a recital disc where interest is nicely balanced between the singer and the song. The Belarusian mezzo-soprano Oksana Volkova has a well- nourished voice that has already taken her…
In a wide-ranging review, Constantine P. Carambelas-Sgourdas offers high praise for guitar virtuoso Smaro Gregoriadou’s fourth Delos album, A Healing Fire, featuring works by Bach, Britten, Gubaidulina and Hetu. “The distinguished guitarist Smaro Gregoriadou is a special case among classical guitarists, in that she never stops exploring new sonic and technical possibilities of her instrument…
Robert Hugill reviews Smaro Gregoriadou’s A Healing Fire recording on Planet Hugill: “Her account of the [J.S. Bach Sonata‘s] opening ‘Grave’ is strong and firm, whilst the ‘Fuga’ is crisp, firm and quite steady with Gregoriadou making explicit what often has to be left implicit in Bach’s original. The ‘Andante’ is firmly rhythmic with a…
Fanfare Magazine’s March/April 2021 issue features an incredible review for Andrew Balio and Bruce Bengtson’s Soli Deo Gloria – Bach recording: “My praise here is unabashedly stratospheric: This is, hands down, the most magnificent, eloquent, communicative trumpet playing I have ever heard in my life, and I have a whole shelf full of trumpet CDs…
All Music Guide critic James Manheim gives a ⭐️⭐️⭐️⭐️ rating to the Latvian Radio Choir and Sigvards Klava’s recording of the Komitas Divine Liturgy: “This version by the Latvian Radio Choir under Sigvards Klava is the first non-Armenian recording of the work (the lead soloists are Armenian). It came about at the behest of Armenia’s ambassador to Latvia, who…
Critic Michael Cookson reviews Ekaterina Siurina, Constantine Orbelian, and the Kaunas City Symphony’s recording, Amour éternel, in MusicWeb International: “From start to finish in this studio recital, Siurina impresses with an accomplished performance, by turns assertive, vulnerable, passionate, sensitive, and tormented. … In a most convincing performance, Siurina demonstrates her smooth, attractive tone and satisfying levels…
Critic Göran Forsling reviews Ekaterina Siurina, Constantine Orbelian, and the Kaunas City Symphony’s recording, Amour éternel, in MusicWeb International: “Ekaterina Siurina has a beautiful voice, sings with good legato, is careful with nuances and her top rings out with brilliance. She has also a good trill, which she displays in Juliette’s Je veux vivre.… she is…
American Record Guide‘s Philip Greenfield reviews Sigvards Klava and the Latvian Radio Choir’s Komitas: Divine Liturgy recording: “The ineffably beautiful Sanctus is a true stunner that runs for 4 minutes, with the bass soloist (Priest) appearing briefly at the end. `Who is the Lord Our God’ for the choir and solo tenor takes a little…
John Pitt reviews Amour éternel starring Ekaterina Siruina and Charles Castronovo, Constantine Orbelian, and the Kaunas City Symphony in New Classics: “On this delightful new album, Amour éternel, the internationally renowned soprano presents a choice array of beautifully sung French and Italian opera arias by Gustave Charpentier, Charles Gounod, Georges Bizet, Giacomo Puccini and Giuseppe…
The International Clarinet Association’s magazine, The Clarinet, has a new review for David Shifrin’s Clarinet Quintets for Our Time recording with the Dover and Harlem String Quartets: “[Shifrin’s] partners on this recording are two rising young string quartets: the Dover Quartet on the works by Ellington and Rogerson and the Harlem Quartet on Coleman’s work.…
Graham Rickson reviews Smaro Gregoriadou’s latest release, “A Healing Fire”, for The Arts Desk: “One interesting aspect of Greek guitarist Smaro Greoriadou’s playing is her willingness to experiment technically, the tunings and instruments chosen to suit the musical requirements of each work. … Her choice pays off… There’s an intensity and tautness to the sound which heightens…
Limelight Magazine gives ⭐️⭐️⭐️⭐️ to the Latvian Radio Choir and Sigvards Klava’s recording of the Komitas Divine Liturgy: “Originally conceived for male chorus, the Divine Liturgy has been effectively adapted for mixed chorus by the Armenian composer, Vache Sharafyan, giving this already fascinating work an added radiance. Customarily superb singing by the Latvian Radio Choir under Sigvards…
Gramophone Magazine’s 2020 Awards Issue reviews the Latvian Radio Choir’s recording of the Komitas Divine Liturgy: “The importance in Armenian culture of Komitas, priest-monk, composer, arranger, transcriber, conductor, can hardly be overestimated. … his transcriptions of western Armenian folk music effectively saved the tradition from extinction. … The Divine Liturgy was first published in 1933…
Gramophone Magazine reviews Jonah Kim and Sean Kennard’s Rachmaninoff & Barber Cello Sonatas recording in the 2020 Awards Issue: “These are works of young firebrands, full of emotional urgency and heightened instrumental challenges, which are met to striking effect in the performances offered on this new recording by the cellist Jonah Kim and pianist Sean…
ClassicsToday gives across-the-board 10s to Amour éternel starring Ekaterina Siruina and Charles Castronovo, Constantine Orbelian, and the Kaunas City Symphony: “Siurina has “special” in spades! I was impressed from the start, with a lovely “Depuis le jour”, with all of its hurdles neatly cleared, and Juliette’s “Je veux vivre” spotlessly sung, without a hint of…
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