BBC Music Magazine‘s Michael Tanner offers a four-star (for both performance and recording) review for Verdi: Rigoletto starring Dmitri Hvorostovsky: “It is impossible to review this set without acute feelings of regret at the early death of Dmitri Hvorostovsky…This recording, made in July 2016, shows him at the height of his powers in the title…
Critic Göran Forsling offers a second MusicWeb International review for Verdi: Rigoletto featuring Dmitri Hvorostovsky: “In the title role we hear the arguably greatest Verdi baritone of the last 25 years, Siberian Dmitri Hvorostovsky.… What we hear is… the voice we have got accustomed to during a recording career that goes back to 1990.…this is…
Opera Magazine offered their farewell to Dmitri Hvorostovsky on the cover of their January issue, followed by a wonderful “Dima undimmed” tribute in their February publication, and a March review for his recording of Verdi’s Rigoletto: Dima undimmed “For an opera-lover it was one of those occasions when you always remember where you were at…
MusicWeb International‘s Michael Cookson reviews Verdi: Rigoletto featuring Dmitri Hvorostovsky: “It is hard to ignore the impressive performance of tenor Francesco Demuro, seductive as the lecherous and duplicitous Duke. His bright voice is splendidly in tune conveying that special Italianate sound together with the ability to reveal a tear in the voice. … American soprano…
Paul J. Pelkonen of the Superconductor blog reviews Dmitri Hvorostovsky’s complete recording of Verdi’s Rigoletto: “The death of baritone Dmitri Hvorostovsky (from brain cancer, last week) sent an earthquake through the opera world. ‘Dima’, as he was known was a beloved figure, for his velvety instrument and leonine stage appearance. Those qualities made him a…
OperaNews names Dmitri Hvorostovsky’s Verdi: Rigoletto a Critic’s Choice! “ When Rigoletto makes his entrance jeering at Count Ceprano, Hvorostovsky’s sound is shockingly guttural, with flecks of grit I wouldn’t have imagined as part of his arsenal: he had come a long way from the liquid lyricism of his Prince Yeletsky or Don Giovanni. In…
“In April of 2015…I had the good fortune to have my attention directed to a Delos recording of what, at the time, I declared to be the “most fascinating opera” that Giuseppe Verdi ever wrote. … Both of these ensembles, as well as their director, were unknown to me when I started listening to the…
The Washington Post reviews Dmitri Hvorostovsky’s first-ever complete opera recording of Verdi’s Rigoletto: “The opera world cheered last May when Dmitri Hvorostovsky made a surprise appearance at a Metropolitan Opera gala to sing an impassioned account of Rigoletto’s big solo, “Cortigiani, vil razza dannata.”… now his fans have a chance to hear him sing the…
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