“Robert Taylor infuses both the works on this disc with a degree of intensity and visionary zeal which communicates itself most powerfully in McGlynn’s somewhat misty and often evocative writing. There are hints of Irish folk music here, passages clearly derived from traditional Irish singing, and some feeling of the Irish folk music tradition in the instrumental support. More significant is a very accessible yet distinctive musical voice, which these singers deliver with impressive conviction. The combination of Celtic mysticism and Christian fervour proves to be a heady mix, especially in this opulent and spacious recording. In one word – lovely! … James MacMillan wrote his liturgical setting of the Mass in 2000 for the choir of Westminster Cathedral. …this is deeply affecting and moving music, once again powerfully delivered by these committed and accomplished performers. The Mass requires not just a virtuoso organ part – which again is brilliantly brought to life by Scott Bennett on what sounds to be a very fine organ indeed…but also choral singing of the very highest order. It certainly gets that here, with mature sopranos clearly challenged – and meeting the challenge head-on – by some of MacMillan’s more extraordinary writing in the “Gloria”. Most impressive of all is the spell-binding way in which they build up to the cataclysmic outpouring of waves of joy in the “Sanctus” (track 15 from around 1:15). … All told, this is a very impressive performance indeed and one which makes a worthy addition to the catalogue… Many will be drawn to this simply because of the polish and intensity Taylor brings to his readings (and I certainly would not want to be without the McGlynn Celtic Mass), and the way his choir responds with such potent empathy for the music.” —Marc Rochester, MusicWeb International
Read the full review on www.musicweb-international.com
https://youtu.be/NM2hfWYbT2I
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