American Record Guide reviews Oksana Volkova, Constantine Orbelian, and the Kaunas City Symphony’s Poison d’Amour recording: “Oksana Volkova has a gorgeous, seductive voice that could be likened to warm butter dripping off a fresh, hot biscuit. From top to bottom there are no holes in her beautiful mezzo-soprano. …Her choice of repertoire is intelligent. She seduces…
American Record Guide‘s Philip Greenfield reviews Sigvards Klava and the Latvian Radio Choir’s Komitas: Divine Liturgy recording: “The ineffably beautiful Sanctus is a true stunner that runs for 4 minutes, with the bass soloist (Priest) appearing briefly at the end. `Who is the Lord Our God’ for the choir and solo tenor takes a little…
Barry Kilpatrick reviews Andrew Balio and Bruce Bengtson’s Soli Deo Gloria — Bach recording in the January/February 2021 issue of American Record Guide: “An all-arrangements collection that opens with organist Bruce Bengtson’s powerful setting of Gottfried Reiche’s ‘Abblasen’… This two-hour program offers numerous chorale settings, plus transcriptions of three flute and two violin sonatas. Trumpeter…
“‘What a gorgeous voice—like a Rolls Royce. She must sing in the best theaters in the world!’, said the late Dmitri Hvorostovsky about Veronika Dzhioevo. And it is a fine voice. Moreover it is used with dramatic imagination… She has a voice that is even from top to bottom and has its own distinct color.…
Patrick Hanudel reviews Robert Dilutis and the Mellifera Quartet’s Clarinet Classics at Riversdale recording in the November/December 2019 issue of American Record Guide: “DiLutis directs the recital with a clear tone, a silky legato, expressive phrasing, and brilliant technique; and he grabs the listener in the unaccompanied selections with a wonderful variety of ideas and…
Stephen Estep recommends Christopher Atzinger’s new Piano Music of John Knowles Paine recording in the 2019 November/December issue of American Record Guide: “John Knowles Paine, trained in Europe, was America’s first widely accepted composer and first professor of music; he taught John Alden Carpenter, Frederick Converse, Arthur Foote, and many others. His several piano pieces…
American Record Guide reviews Conspirare’s The Hope of Loving: Choral Music of Jake Runestad in their November/December 2019 Issue: “Eriks Esenvalds, Ola Gjeilo, and Eric Whitacre might have to slide down the bench a little to make room for a newcomer. … Runestad’s music tends to be luminous, spiritually-charged, enmeshed with the texts that inspired…
David Reynolds reviews Kristian Benedikt‘s Delos debut recording, Tenore di Forza in the September/October 2019 issue of American Record Guide: “Kristian Benedikt is a clarion, call-to-arms type of tenor that we are in sore need of right now. … His top notes ring out massively and, I suspect, are even more effective in the house,…
American Record Guide‘s November/December 2018 issue has a detailed new review for the Asia / America New Music Institute‘s new Transcendent recording: “Matthew Aucoin’s Two Whitman Songs (‘The Sleepers’ and ‘A Clear Midnight’) capture the magnificent and removed nature of Whitman’s poetry. There are so many shades of silver in this music; its gleaming darkness…
American Record Guide critic, Ralph Locke, declares John Osborn’s A Tribute to Gilbert Duprez recording a “wonderfully fresh way of putting together a ‘calling-card’ CD”: “…a gifted and intelligent singer who has something to offer. Osborn can be heard, on CD or DVD, in the main tenor roles of Rossini’s Otello, Semiramide, and William Tell,…
American Record Guide‘s Richard Sininger has a new review for the newly announced BBC Music Magazine Award nominated release, All Who Wander featuring Jamie Barton and Brian Zeger: “I first became aware of Jamie Barton in 2007, when she was one of an exceptional trio of women (with Amber Wagner and Angela Meade) who won…
American Record Guide reviews Angelique Zuluaga and Gwendolyn Mok’s Poldowski: Art Songs recording: “Delos serves up an exquisite selection, including several world premieres. Poldowski’s word settings are sensitive, the vocal writing centered very much in the middle of the voice. She rarely asks the singer to sing particularly high or low. One gets the impression…
Order Now “Carol Rosenberger, director of Delos and a former pupil of Boulanger, and pianist Lucy Mauro have done music lovers a great service in bringing so many of these unknown pieces to the public, many for the first time. … The soloists are excellent. … [Edwin] Crossley-Mercer’s sinuous, sexy voice makes one want to…
Order Now “What is an American cellist is doing in this kind of music? He has been influenced by certain festivals he has performed in, but his primary move in the Spanish direction is probably his friend and colleague, Alfredo Montero, a native of Spain who has worked with him since they met in 1999.…
Order Now “I had never heard of Stefano Secco before getting this. But I see that, at age 34, he already has had a substantial career, singing major roles at important houses in Europe. … Here he performs 15 of the world’s most beloved tenor arias—most of them Italian— with solid tone, perfect intonation, and…
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